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Last updates: 30 May, 2019 10:16






NEW RELEASES MAGGIO 2019: WHAT'S GOING ON MY MUSIC PLAYER?
CATERINA BARBIERI
"Ecstatic computation"

Caterina Barbieri is an Italian composer who explores themes related to machine intelligence and object oriented perception in sound through a focus on minimalism. The album revolves around the creative use of complex sequencing techniques and pattern-based operations to explore the artefacts of human perception. Following 2017’s acclaimed 2LP Patterns of Consciousness, Ecstatic Computation is the new full-length LP.
[ file under: editions mego ]

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TANIKA CHARLES
"Gumption"

Produced by a stable of some of Canada’s finest musical minds including DJ Kemo (The Rascalz), Chin Injeti (DJ Khalil, Eminem, Drake) and Daniel Lee (Hooded Fang), The Gumpion picks up where Soul Run left off, continuing her tradition of marrying classic soul with modern production styles.Since emerging on the international scene in 2017 with her debut Soul Run, Tanika Charles has revealed herself to be one of the best kept secrets in soul music.
[ file under: retro soul ]

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DEATH AND VANILLA
"Are you a dreamer?"

The trio’s love of all things “old” is well known – they’ve tinkled ivories, played vibraphone, recorded with a Sennheiser microphone and a nod to everything from Fun Boy Three to Orchestre Poly Rythmo de Contonou, while still roaming somewhere between an ambient Eno and Cocteau Twins at a late-night soiree.
“Swedish exponents of dreamily lovely psych and lush, late-60s-style baroque pop.” The Guardian

[ file under: sweden airs ]

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EZRA COLLECTIVE
"You can't steal my joy"

Ezra Collective are five young Londoners; bandleader Femi Koleoso (drums), his brother TJ Koleoso (bass), Joe Armon-Jones (keys), Dylan Jones (trumpet) and James Mollison (saxophone). The band’s incredible musicianship and spirited, inclusive approach to music - which draws on afrobeat, Latin, hip-hop, grime and more - has seen them break out beyond the thriving UK jazz scene.
[ file under: folktronika ]

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RHIANNON GIDDENS
"There is no other"

Rhiannon Giddens turns her exquisite voice and sensibility toward this psychic territory on There is No Other, her new collaboration with the Italian multi-instrumentalist Francesco Turrisi. The duo's intellectual project links Giddens' usual field of inquiry, the folk instruments and traditions of the Afroamerican diaspora, with those of Turrisi, a pianist and master of the frame drum who dwells in the Mediterranean slipstreams from the Middle East and North Africa to Southern Europe.
[ file under: north carolina blues ]

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ALDOUS HARDING
"Designer"

Designer finds the Aldous Harding hitting her creative stride. After Party, Harding came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of Party, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J&J Studio and Playpen.
[ file under: folktronika ]

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HOLLY HERNDON
"Proto"

Holly Herndon operates at the nexus of technological evolution and musical euphoria. For the album, she assembled a contemporary ensemble of vocalists, developers, guest contributors and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion.
[ file under: avant garde ]

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KORNEL KOVACS
"Stockholm marathon"

Studio Barnhus is many things – a dj trio, a label, a studio on Barnhusgatan (Orphanage street) in Stockholm, a blob of colour splashed right onto the gray scales of modern dance music.
[ file under: scndo-nova ]

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CRAIG LEON
"Anthology of interplanetary folk music vol. 2"

Craig Leon revisits the extraterrestrial origins of civilization on Anthology of Interplanetary Folk Music Vol. 2: The Canon. Picking up where the pioneering electronic albums Nommos and Visiting (Anthology of Interplanetary Folk Music Vol. 1) left off, The Canon traces the imparted knowledge of alien visitors as it spread from Africa across the ancient world.
[ file under: experimental ]

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PEARLFISHERS
"Love & other hopeless things"

Five years after their last album Open Up Your Colouring Book, Glasgow’s magnificent Pearlfishers return with a brand new album. It’s their eighth on Marina Records, a superb comeback full of masterful, classic pop music, driven by main man David Scott’s exceptional songwriting and arrangements. The album kickstarts with its beautiful title track, a song in the tradition of British songwriters like Paddy McAloon and Michael Head, about ordinary people dreaming and drowning in the big city.
[ file under: pop @ his best ]

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WEYES BLOOD
"Titanic rising"

The Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. “Classical and Renaissance music really influenced me,” says Natalie Mering, who first picked up a guitar at age 8. (Listen closely to Titanic Rising, and you’ll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell).
[ file under: folktronika ]

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JAMILA WOODS
"Legacy! Legacy!"

Woods, a Chicago-born poet, organizer, and consistent glory merchant, seeks to honor black people first, always. And so, Legacy! Legacy! A song for Zora! Zora, who gave so much to a culture before she died alone and longing. A song for Octavia and her huge and savage conscience! A song for Miles! One for Jean-Michel and one for my man Jimmy Baldwin!
[ file under: nu soul ]

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NEW RELEASES APRILE 2019: WHAT'S GOING ON MY MUSIC PLAYER?
BIBIO
"Ribbons"

“This album has been made very much in admiration of nature yet through a tinted window of manmade escapisc, spending more time in the British countryside, walking, photographing, listening and recording has certainly affected how I've been thinking and expressing myself in the studio - recalling the beauty in nature and the sadness of seeing it spoiled." – BIBIO
[ file under: folktronika ]

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CYKADA
"S/t"

"Cykada uniquely marry the experimentation and soulful elements of jazz with the rawness of heavy rock. It’s an infectious and thrilling ride." ~ Clash Magazine
"The release of Cykada, however, is going to strap a booster rocket to the band's profile." ~ All About Jazz
[ file under: jazz breaks ]

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FACS
"Lifelike"

Using minimalism and space, FACS make abstract and modern art rock. Lifelike occupies a space in between the band's debut & Case & Leger's work with Disappears, applying minimalism & space in compositions that reside somewhere near the realms of post-punk, art-rock, shoegaze, industrial music & post-rock.
[ file under: new wave ]

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FENNESZ
"Agora"

Fennesz writes: “Its a simple story. i had temporarily lost a proper studio workspace and had to move all my gear back to a small bedroom in my flat where I recorded this album. It was all done on headphones, which was rather a frustrating situation at first but later on it felt like back in the day when I produced my first records in the 1990s. In the end it was inspiring. I used very minimal equipment; I didn't even have the courage to plug in all the gear and instruments which were at my disposal. I just used what was to hand.”
[ file under: glitches ]

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BETH GIBBONS
"Henrik Gorecki: Symphony NO.3"

Portishead, the band Beth has fronted for nearly 25 years, was playing at the Sacrum Profanum festival in the reclaimed steelworks in Nowa Huta: a giant, forbidding industrial complex on the outskirts of one of Europe’s most beautiful and contradictory cities. On 29th November 2014, all the detailed and difficult work came to its conclusion at the National Opera Grand Theatre in Warsaw. The apparent simplicity of Górecki’s third symphony – its straightforward harmonies and rhythmic regularity – is belied by the score; this is not an easy piece for any of the performers.
[ file under: classical contemporary ]

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LAFAWNDAH
"Ancestor boy"

Lafawndah’s 2018 was filled with myriad musical highlights and successes - including a celebrated performance featuring peers Tirzah, Kelsey Lu and more at London’s South Bank in December. The debut full- length album is a bracing statement of intent, heralding an artist unbound in scope, scale, and intensity.
[ file under: neo soul ]

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LEISURE SOCIETY
"Arrivals & departures"

During the promotion of the band’s previous LP, The Fine Art of Hanging On, Nick and their flautist Helen Whitaker went through a long process of separation. This displacement set the tone for the next 18 months, as Nick moved from one temporary accommodation to the next, writing and recording demos which would eventually become the foundation of their fifth full length album, Arrivals and Departures.
[ file under: indie pop ]

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IAN SIMMONDS
"All that's left"

All That's Left is the 15th studio album from Ian Simmonds following 2015's ‘The Right Side Of Kind’. Starting his musical career in the 80's with the Sandals, Simmonds then moved on to producing as Juryman, Wiseintime and under his own name: Ian Simmonds.
[ file under: downtempo ]

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DWIGHT TRIBLE
"Mothership"

Dwight Trible is a rarity. Few singing careers involve performing with the legendary likes of Pharaoh Sanders, Kenny Garrett and Charles Lloyd, whilst also producing and innovating music with today’s hippest artists, ranging from J Dilla to Kamasi Washington.
[ file under: jazz hop ]

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VISIBLE CLOAKS, OJIMA & SHIBANO
"FRKWYS Vol. 15: serenitatem"

serenitatem, the fifteenth installment of RVNG’s intergenerational FRKWYS series, joins Visible Cloaks with Yoshio Ojima and Satsuki Shibano, trailblazers of the Japanese ambient music scene in the 1980s and 90s. While the music excels on an environmental level familiar in the collective’s individual works, serenitatem reaches a pure synthesis of artistic vision, futurist ambition, and occasionally, ancient polyphony.
[ file under: ambient sounds ]

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NEW RELEASES MARZO 2019: WHAT'S GOING ON MY MUSIC PLAYER?
AUGUST GREENE
"S/t"

August Greene is the intriguing supergroup consisting of Common, Robert Glasper and Karriem Riggins. The trio produce a sound that is as much hip hop as it is jazz. Common confidently cruising over an elegant backing of Glasper's keys and Riggins' drums. Some supergroups make me wonder why this is happening to me. Augustus Green make wonder how it took so long.
[ file under: hip & hop ]

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BENNY SINGS
"City pop"

City Pop was inspired by and written in cities all over the world, including New York, LA, Tokyo, Paris and Benny’s hometown of Amsterdam. Like the 2015 album Studio, City Pop celebrates collaboration, with Hawthorne, Cornelius, Sukimaswitch (the “Japanese Steely Dan”), Mocky and Faberyayo among the featured artists. True to the album’s name, cities from around the world play a starring role.
[ file under: aor pop & soul ]

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CINEMATIC ORCHESTRA
"To believe"

The Cinematic Orchestra are back with a definitive new album that explores a timeless question of vital importance in 2019. Founding member Jason Swinscoe and longtime partner Dominic Smith have enlisted album contributions from collaborators old and new: Moses Sumney, Roots Manuva, Heidi Vogel, Dorian Concept and Miguel Atwood-Ferguson (Flying Lotus, Anderson Paak, Thundercat).
[ file under: downtempo ]

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COMET IS COMING
"Trust in the lifeforce of the deep mystery"

On Trust In The Life Force Of The Deep Mystery, the futurist jazz voyagers The Comet Is Coming are making music for these crisis times of chaos and mass meltdown. The title of the album, the band say, concerns “finding meaning in that which you cannot grasp”. It asks “What does it mean to be human? The music on the trio’s second record, out on impulse!, fluctuates between pulsating, danceable, electronic groove-centric pieces and quieter, melodic jazz-infused compositions.
[ file under: futurist jazz ]

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IBIBIO SOUND MACHINE
"Doko mien"

Fronted by London-born Nigerian singer Eno Williams, Ibibio Sound Machine is a clash of African and electronic elements inspired in equal measure by the golden era of West African funk, disco, and modern post-punk and electro. Evocative Nigerian poetic imagery set against an edgy Afro-Electro soundscape gives the band a unique space within the wave of modern Afrocentric sounds sweeping the globe.
[ file under: nigeria 2019 ]

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JULIA JACKLIN
"Crushing"

The second full-length album from Australian singer/songwriter Julia Jacklin, embodies every possible meaning of its title word. It’s an album formed from sheer intensity of feeling, an in-the-moment narrative of heartbreak and infatuation. And with her storytelling centered on bodies and crossed boundaries and smothering closeness, Crushing reveals how our physical experience of the world shapes and sometimes distorts our inner lives.
[ file under: indie pop ]

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JAPANESE HOUSE
"Good at falling"

The Japanese House releasess her debut album Good at Falling via Dirty Hit. Produced by The Japanese House (aka Amber Bain), BJ Burton (Low, Bon Iver, Francis and the Lights) and The 1975’s George Daniel, Good at Falling follows four acclaimed EPs. The result is an album that draws from Bain’s life in a way her work never has before - a more personal, vulnerable and yet confident body of work.
[ file under: electro pop ]

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JAYDA G
"Significant changes"

Jayda G will release her debut album “Significant Changes” via Ninja Tune. Musically it’s a blend of vintage drum machine funk drawing heavily on Chicago’s house blueprint - as evidenced by new single ‘Leave Room 2 Breathe’ featuring vocals by life-long friend and frequent collaborator Alexa Dash.
[ file under: ninja tunes ]

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DURAND JONES & THE INDICATIONS
"American love call"

Durand Jones & the Indications aren’t looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions.
[ file under: contemporary r.&b. ]

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LITTLE SIMZ
"Grey area"

Simbi Ajikawo, crowned Little Simz, let's her work do the talking and her prolific releases and boundary-breaking achievements clearly tell a story of a pioneering Hip Hop artist who leads the way on her own terms. Giving lauded, energetic performances, shows around the world and international tours with the likes of Gorillaz and Anderson.Paak, this visionary 24 year old woman from North London is living out her childhood dreams to heights of excellence - and inspiring her generation to do the same.
[ file under: folktronica ]

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MAKAYA MCCRAVEN
"Where we come from"

“I just met these wonderful people” says Chicago’s Makaya McCraven in the opening moments of the album/mixtape, referring to the fact he is on a stage playing with some of London’s finest young Jazz musicians whilst meeting them for the first time.
[ file under: mixtape ]

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SASAMI
"S/t"

Sasami Ashworth has been making music in almost every way possible for the last decade, and between playing keys, bass, guitar within Cherry Glazerr and Dirt Dress; contributing vocal, string, and horn arrangements to studio albums by the likes of Vagabon, Curtis Harding, Wild Nothing, and Hand Habits; arranging for films and commercials; and even playing French horn in an orchestra - she has gained a reputation as an all-around musical badass.
[ file under: stereolab(s) ]

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SPELLING
"Mazy fly"

Mazy Fly, the second full-length by the Bay Area artist Spelling, explores the tension between the thrill of exploring the unknown and the terror of imminent destruction. Chrystia Cabral spent the summer of 2018 in her Berkeley studio reflecting on the thresholds of human progress and longing for a new and better tomorrow. Despite the darkness of this reality, Mazy Fly is defiantly optimistic. It is a celestial voyage into the unknown, piloted by Cabral.
[ file under: experimental soul ]

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TAMARYN
"Dreaming the dark"

Tamaryn Brown, known as simply Tamaryn, is a New Zealand singer and songwriter based in the United States. Since 2008, Tamaryn has released three studio albums, an EP and several singles. Her multifaceted style melds various genres such as dream pop, shoegaze, post-punk, gothic rock, synth-pop and electronic.
[ file under: cocteau waves ]

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NILUFER YANYA
"Miss Universe"

At 18, Nilüfer – who is of Turkish-Irish-Bajan heritage – uploaded a few demos to SoundCloud. Though she’s preternaturally shy, her music – which uniquely blends elements of soul and jazz into intimate pop songs with electronic flourishes and a newly expressed grungy guitar sound – isn’t. And it didn’t take long for it to catch people’s attention.
[ file under: eclectic jazzy folk-pop ]

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NEW RELEASES FEBBRAIO 2019: WHAT'S GOING ON MY MUSIC PLAYER?
BEIRUT
"Gallipoli"

"Gallipoli started, in my mind, when I finally had my old Farfisa organ shipped to New York from my parent’s home in Santa Fe, NM. I acquired the organ from my first job at the CCA; the local foreign film theater and gallery space. A traveling circus’ keyboard player (not a joke) had left it in the warehouse after certain keys and functions of the organ had broken down and stopped working. I spent the next three years writing every song I could possibly squeeze out of it."
[ file under: folktronica ]

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COTONETE
"Super-vilains"
Originally starting out in the late 90s, Paris-based 8 piece, Cotonete originally gained fame for renditions of tracks from their contemporaries, the likes of: Deodato, Lalo Schiffrin and Banda Black Rio. Replicating the heavy grooves, sweaty jazz-funk with a nod to the Brazilian warmth and beach breeze. Before bowing out of the game thinking the fun was over.
[ file under: jazz-funk ]

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DELINES
"Imperial"

A Fender Rhodes kicks in and you know you’re in a safe place. It’s lush resonant tones set the scene, a lap steel slides in to introduce a laconic but oh-so dulcet tune. Crying guitars present tales of broken hearts. Smooth soulful vocals and the sweet golden tones of a brass section complete the mellowest album this year so far.
[ file under: americana ]

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EX:RE
"S/t"

Elena Tonra is the singer, songwriter and guitarist for Daughter. This is her first album for the new project that she runs simultaneously alongside Daughter. The album was recorded with Fabian Prynn (4AD producer/engineer) with Josephine Stephenson on cello and inspired by a shattered relationship.
[ file under: indie folk ]

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STEVE GUNN
"Unseen in between"

For over a decade, Steve Gunn has been one of American music’s most pivotal figures -- conjuring immersive and psychedelic sonic landscapes both live and on record, releasing revered solo albums ranking high on in-the-know end of year lists, alongside exploratory collaborations with artists as diverse as Kurt Vile and Michael Chapman (whose most recent studio album he produced).
[ file under: alternative indie ]

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H.E.R.
"S/t"

H.E.R. is a compilation album by American singer H.E.R., Cd released on February 2019 by RCA Records. The album comprises songs from the singer's EPs H.E.R., Vol. 1 (2016) and H.E.R., Vol. 2 (2017, and includes six additional songs. The album won Best R&B Album and received four other nominations at the 61st Grammy Awards, including Album of the Year and Best New Artist.
[ file under: neo soul ]

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JULIA KENT
"Temporal"

Much of the music that comprises the album was originally written to accompany theatre and dance productions. “The initial inspiration was more external than internal, in that many of these pieces began as a response to a text or a choreographic concept,” Julia explains, “but they all seemed to be coming from the same emotional world and it made sense to weave them together into a record.”
[ file under: experimental ]

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SARAH LOUISE
"Nighttime birds and morning stars"

Nighttime Birds and Morning Stars is Sarah Louise’s most fearless work to date. Louise broadens beyond folk forms on her latest, turning streams of raw electric guitar into entire oceans of aural texture. Her rich playing is warped beyond recognition through inventive synthesizing and digital manipulations.
[ file under: experimental ]

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MERCURY REV
"Bobbie Gentry's The Delta Sweete revisited"

“Ode to Bilie Joe” Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love, was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry.
[ file under: covers album ]

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PIROSHKA
"Brickbat"

The four band members are former Lush vocalist/guitarist (and former redhead) Miki Berenyi, former Moose guitarist KJ McKillop, Modern English bassist Mick Conroy and former Elastica drummer Justin Welch. The connections between them are a veritably tangled family tree. Before they lived together and raised a family, Miki and Moose were notable figures on the so-called shoegaze scene, while Elastica were Britpop peers.
[ file under: lush sounds ]

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JESSICA PRATT
"Quiet signs"

For her third album Quiet Signs, Jessica Pratt offers up nine spare, beautiful & mysterious songs that feel like the culmination of her work to date. "Fare Thee Well" and "Poly Blue" retain glimmers of On Your Own Love Again's hazy day spells, but delicate arrangements for piano, flute, organ and strings instill a lush, chamber pop.
[ file under: twilight pop ]

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RUSTIN MAN
"Drift code"

Rustin Man aka Paul Webb has released one record under the moniker Rustin Man so far, the superb Out Of Season in 2002 - a collaboration with Beth Gibbons of Portishead. He has been working on the follow-up ever since, recording it in his home, a converted barn, in an Essex field three miles from the nearest village, an extraordinary building as much Old Curiosity Shop as modern living space.
[ file under: soft machine ]

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TALLIES
"S/t"

“Tallies have a jangly sound that at times recalls The Smiths, The Sundays and other ’80s alt bands, but singer Sarah Cogan’s smoky vocals pull things into other territory” – BROOKLYN VEGAN
[ file under: so' eighties ]

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ULTRAMARINE
"Signals into space"

Signals Into Space is a brand new studio album by acclaimed electronic duo Ultramarine. SIS is their seventh album, having made their debut on Crepuscule with Folk (TWI 894) back in 1990. The new long player was conceived by Ian Cooper and Paul Hammond over a three year period and features four songs co-written with North American musician Anna Domino, a firm favourite of the group since her leftfield pop releases on Crepuscule and Factory in the 1980s.
[ file under: electronica ]

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ANDREW WASYLYK
"The paralian"

In 2018, Andrew was extended a residency invite from arts centre and historic house, Hospitalfield, Arbroath, Scotland to create new music for their restored, 19th century, Erard Grecian harp. During Wasylyk's five-month sojourn he created melodies and progressions echoing the building's unique relationship with the looming North Sea horizon.
[ file under: modern classical ]

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2 0 1 8

ALISON STATTON & SPIKE "Bimini twist"
DANIEL AVERY "Song for alpha"
EMANUELE ERRANTE "Evanescence of a thousand colours"
EMMA RUTH RUNDLE "On dark horses"
FACS "Negative houses"
FAR OUT MONSTER DISCO ORCHESTRA "Black sun"
FATIMA "And yet it's all love"
FIELD MUSIC "Open here"
FLUXION "Ripple effect"
GEORGIA ANN MULDROW "Overload"
IAN WILLIAM CRAIG "Thresholder"
IDRIS ACKAMOOR & THE PYRAMIDS "An angel fell"
JOE ARMON-JONES "Starting today"
JON HASSELL "Listening to pictures (Pentimento volume one)"
JON HOPKINS "Singularity"

KALI UCHIS "Isolation"
KELLY MORAN "Ultraviolet"
MARC BARRECA "Shadow aestethics"
MARISSA NADLER "For my crimes"
MOSES BOYD "Displaced diaspora"
NECKS "Body"
NENEH CHERRY "Broken politics"
NILS FRAHM "All melody"
POPPY ACKROYD "Resolve"
RYLEY WALKER "Deafman glance"
SARAH DAVACHI "Gave in rest"
SINK YA TEETH "S/t"
STEVE HAUSCHILDT "Dissolvi"
TIRZAH "Devotion"
TIM HECKER "Konoyo"



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Back to mine: i preferiti di...
Blue series: sperimentazioni jazz
Chain Reaction: transgressions
David Toop: installazioni sonore
Easytronica: easy listening
Ecm Records: suoni glaciali
Exotica!: e allora mambo!
F Communications: french touch
Fly Robin Fly: volare oh oh
Helen Verhoeven: The Bird and the Bee
Inertia Records: sperimentazioni
James Marsh: artwork Talk Talk
Joe Dilworth: artwork Saint Etienne
Martin Grover: Underwolves
Naked City: John Zorn
Naked Music: house label
Neville Brody: artwork 23 Skidoo
Nouvelle Vague: the perfect kiss
Peter Saville: Factory records
Rachel's: contemporary post-rock
Robert Wyatt: canterbury sound
Siesta Records: habla espanol?
Susumu Yokota: ambient music
Tomato: artwork Underworld
Touch Records: Jon Wozencroft
Tricatel poetry: Jonathan Coe sings?
Vanessa Daou: sophisticated girl
Warp Records: best in electronica
 
 
RETROSPETTIVA
 
808 State: techno techno
A Certain Ratio: Manchester lab
Associates: Alan & Billy
Comsat Angels: Sheffield lab
David Sylvian: la voce e le canzoni
Dead Can Dance: Lisa e Brendan
Fila Brazillia: downtempo
Golden Palominos: Lori Carson
Joy Division: he's lost control
Ludus: grafica e musica
New order: from Manchester
Pop Group: white funk
Romeo Void: warm, in your coat
Ryuichi Sakamoto: istrionico
Scritti Politti: wood beez?
Steely Dan: Fagen & Becker
The Passage: from Manchester too
The Sound: new wave new wave
Tortoise: post-rock band
Tricatel Records: intelligent pop
Weather Report: best in jazz
Wendy & Lisa: amiche di...Prince
XTC: Moulding & Partridge
 
 
[ OLDIES BUT GOODIES ]
 
ELECTRONIC
"S/t"

Bernard Sumner and Johnny Marr's debut album as Electronic gets the deluxe treatment with this expanded 2CD special edition. The release features the original album (remastered) plus a 2nd disc of rarities including 8 previously unreleased tracks of alternate versions, edits & instrumentals.
[ file under: madchester ]

CRISPY AMBULANCE
"The plateau phase"

Factory Benelux presents a new CD edition of The Plateau Phase, the debut album by Manchester postpunk group Crispy Ambulance, originally issued in March 1982. Recorded at Strawberry 2 with producer Chris Nagle, this acclaimed album captured Crispy Ambulance at the peak of their creative powers. Bonus tracks include extended 12"single The Presence Concorde Square, produced by the legendary Martin Hannett, and farewell single Sexus.
[ file under: factory sounds ]

THE NAMES
"Swimming"

Factory Benelux presents a new CD edition of Swimming, the debut album by Belgian new wave group The Names, originally issued in June 1982. Swimming has come to be regarded as a European cold wave classic. Bonus tracks include the popular singles Calcutta and Nightshift (also produced by Hannett) and the band's John Peel session from February 1982. This new Factory Benelux CD edition also features original artwork and poster design by Benoit Hennebert.
[ file under: factory sounds ]

RIP RIG + PANIC
"God"

Named after a Roland Kirk album, Rip Rig + Panic were one of the most exciting bandsof the 1980s, fusing funk, jazz, punk and world music influences into a unique whole. With lead singer Neneh Cherry, the band recorded three albums for Virgin Records which have never been legitimately available on Cd. All three LPs are now remastered from the original master tapes with a raft of bonus tracks taken from non-album singles. Original band members Gareth Sager (ex-Pop Group) and Mark Springer are involved with these releases, with the blessing of Neneh Cherry and (current PiL) drummer Bruce Smith.
[ file under: white jazz funk ]

ANNETTE PEACOCK
"I'm the one"

In 2010 Annette Peacock quietly reissued her 1972 album I'm The One on CD via her own Ironic label. It was only available via her site or CDBaby, but now I'm The One is being given a full reissue shakedown by Light In The Attic. Peacock collaborated with Salvador Dali, bought a Moog direct from Robert Moog, was confidant to Timothy Leary, and turned down an offer to tour with David Bowie, telling him to buy his own synthesizer.
[ file under: essential avant-funk ]

THE POP GROUP
"For how much longer do we tolerate
mass murder?"

Reissue of The Pop Group’s ‘For How Much Longer Do We Tolerate Mass Murder’ - one of the most challenging records of the post-punk era. Upon its release in 1980, For How Much Longer received mixed reviews, with publications at the center of post-punk discourse (such as the NME) dismissing its agit-prop didacticism in favor of the fevered mysticism of the group's debut album, Y.
[ file under: post-punk ]

LIZZY MERCIER DESCLOUX
"One for the soul"

Remastered from original tapes. Housed in heavyweight, tip on-style gatefold with essay by Vivian Goldman and download code including 2 bonus tracks “By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive.
[ file under: no wave ]

VIVIEN GOLDMAN
"Resolutionary (Songs 1979-1982)"

Vivien Goldman went from being a musical participant of the early-'80s London-New York fusion of dub, post-punk, reggae, hip-hop and African sounds to a keen, informative critic and professor of those genres in general. This excellent album is the first collection of Goldman's brief yet vibrant musical explorations. Included among the various talents are members of the Slits, PiL, the Raincoats, Robert Wyatt, Steve Beresford, David Toop, and Adrian Sherwood. These tracks combine a pop sensibility with the avant-dub deconstructionist mindset that lends her work that rare and special mix of accessibility and experimentation.
[ file under: dub post-punk ]

SECTION 25
"Always now"

Factory Benelux presents a deluxe double disc edition of Always Now, the debut album by cult Factory Records group Section 25, produced by legendary sonic architect Martin Hannett in 1981. Recorded as a trio at Pink Floyd's Britannia Row studio in London, Always Now combined austere post-punk rhythms with elements of Can, Krautrock and modern psychedelia. Key tracks include non-albums singles Charnel Ground, Je Veux Ton Amour and Girls Don’t Count. This new Factory Benelux 2xCD edition is housed in a miniature version of the folding pochette wallet designed by Peter Saville - famously one of the most expensive sleeves produced by Factory.
[ file under: factory sounds ]

Ridateci il vinile, ridateci la possibilità di avere dischi che durano trenta, quaranta minuti, fatti di canzoni e brani che gli artisti hanno voluto metterci, senza inutili e insulsi riempitivi, Ridateci il vinile, ridateci un oggetto che magari si sente peggio, che non è portatile, che è grande e scomodo, ma che rappresenta la musica quanto la musica che contiene. Ridateci il vinile, che ha un valore intrinseco che nessun CD riuscirà mai ad avere. Ridateci il vinile, assieme ai file mp3 e ai Compact Disc, utili ognuno per un motivo diverso. Certo, magari guadagnerete meno, magari i clamorosi fatturati che l'industria discografica ha fatto quando è arrivato il CD non li vedrete più, ma di sicuro non perderete l'anima e il lavoro. Il lavoro lo state già perdendo, e anche l'anima, trasformandovi in venditori di magliette, poster, gadget. Venditori di diritti televisivi e radiofonici, produttori di concerti e di DVD di certo non più "discografici". Ridateci il vinile e provate a salvare il vostro, nostro, mercato della musica. Abbandonate l'idea di vendere pezzi di plastica e tornate a vendere dischi.
(Ernesto Assante: Copio, dunque sono - 2009 ConiglioEditore).
 
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