|
Last updates:
5 December, 2018 12:00
|
|
|
|
DICEMBRE
2018: APERTURE FESTIVE STRAORDINARIE
__________________________
Sabato 8 :
dalle 9.30 alle 12.30 e dalle
15.30 alle 19.30
Domenica 9 16
23:
dalle 15.30 alle
19.30
Lunedì 24
: dalle 9.30
alle 12.30 e dalle
15.30 alle 19.30
__________________________ |
|
NEW
RELEASES NOVEMBRE 2018: WHAT'S GOING ON MY MUSIC
PLAYER? |
|
BEACON
"Gravity pairs"
Beacon’s
third full-length record enters sight as a work of meticulous
revision and refraction. Returning home to New York in 2016,
four years and several tours since the duo's first release with
Ghostly International, Thomas Mullarney III and Jacob Gossett
knew the next direction would be different.
[
file under: ghostly international ]
   
|
|
IAN WILLIAM
CRAIG
"Thresholder"
Eighteen
months on from his last new release, Vancouver-based singer
/ composer Ian William Craig returns with an album-length release
that collects together eleven new tracks. Entitled Thresholder,
the record sees Craig return towards the smudged and scoured
beauty of his 2016 opus, Centres, a record which was universally
acclaimed, making many end-of-year lists – including the
likes of Rolling Stone, Uncut, The Wire, The Quietus and Drowned
In Sound.
[
file under: electronic soundscpaes ]
|
|
EMANUELE
ERRANTE
"Evanescence of a thousand colours"
Ever since his widely acclaimed debut LP Migrations
was released in 2006, tone color has always been an important
aspect of Emanuele Errante’s music. Drawing from both
electronic and acoustic sources, his compositions paint impressionistic
vignettes with sonic intensities. His
fourth LP The Evanescence of a Thousand Colors, his second solo
release on the Berlin-based Karaoke Kalk label, deals more explicitly
with color than before.
[
file under: electronic ambient ]
|
|
JOSEPHINE
FOSTER
"Faithful fairy harmony"
Josephine raises a stained-glass lamp and shepherds
us spelunking the depths of spirit in this four-part double
album. Accompanying herself on guitar, piano, organ, harp &
autoharp, this cycle of 18 new songs hearken back to various
facets of Foster's anachronic oeuvre.
[
file under: americana ]
|
|
GARRETT
"Private life II"
Dam-Funk
swings back to his Garrett alias for a smoking 2nd ‘Private
Life’ session on Music From Memory after the project debuted
in 2017. Vibes for eons on this one, hustling pure dusky
hues from his synths and coaxing some of his smoothest drum
machine patterns across seven tracks of gilded deep soul bliss.
[
file under: balearic ]
|
|
HEATHER
LEIGH
"Throne"
Heather
Leigh takes her Throne as queen of pedal steel with a suite
of heartbleed ballads cauterised with burning riffs. Leigh's
artwork (which she photographed and designed) is a visual mirror
of the songs on Throne. It is an album of cosmic echoes, abstractions
and introspection, of characters and stories that make up Leigh's
first best pop record, its melodies and hooks set alight with
the fiery core of her unique and distinctive pedal steel.
[
file under: editions mego ]
|
|
MAKAYA
MCCRAVEN
"Universal beings"
Paris-born, New England-raised, long-time Chicago-residing
Makaya McCraven has been at the forefront of genre-redefining
movements in jazz since 2015, when he introduced the world to
his unique brand of ‘organic beat music’ on the
breakout album In The Moment. Culled, cut, post-produced &
re-composed by Makaya using recordings of free improvisation
he collected over dozens of live sessions in Chicago.
[
file under: experimental space jazz ]
|
|
KELLY
MORAN
"Ultraviolet"
Ultraviolet
is the first Warp album from New York-based composer, producer
and keyboardist Kelly Moran, ripe with dazzling inflexions of
jazz and dream pop, classical composition and black metal. Having
made an early name for herself in New York collaborating with
dance performance and composing for long-term John Cage collaborator
Margaret Leng Tan, while recent months have seen her perform
in prestigious venues around the world as part of Oneohtrix
Point Never’s live Age Of tour ensemble.
[
file under: experimental piano ]
|
|
MARISSA
NADLER
"For my crimes"
The
eighth album from Marissa Nadler, For My Crimes, is the sound
of turmoil giving way to truth. Following the release of 2016’s
acclaimed Strangers, Nadler’s relationships were put to
the test as she left the Boston area on tour. She wrote throughout
2017 about this tension, and ended up with three times as many
songs as she needed.
[
file under: alternative ]
|
|
SYSTEM
"Plus"
For
their new album Plus, Danish tinkerer trio System (Thomas Knak,
Anders “Dub Tractor” Remmer and Jesper Skaaning)
spent a couple of years turning sensitive arpeggibro keyboardist
Nils Frahm’s source material into something likable. Various
iterations of incandescent ambience, elegantly sculpted around
damp and clicky digital processes, ensue.
[
file under: modern classical ]
|
|
NEW
RELEASES OTTOBRE 2018: WHAT'S GOING ON MY MUSIC
PLAYER? |
|
MARC
BARRECA
"Shadow aestethics"
Shadow
Aesthetics results from a virtual arsenal of digital and analog
sources operating in a complex system of origination, structuring,
processing and editing. The result is a moving, articulate and
complex album: music that is profoundly emotive, original, and
experimental. In every way Shadow Aesthetics reveals itself as
a culmination of decades of listening, performing and composing.
[
file under: drones ]
|
|
MOSES
BOYD
"Displaced diaspora"
The
music is a collection of songs by Moses Boyd recorded in 2015
that features some of the now leaders of the New British Jazz
Scene Such as Theon Cross, Nubya Garcia and Nathaniel Cross. As
well as the Iconic British Soul Vocalist Terri Walker, Saxophonist
and Bata Player Kevin Haynes and his Grupo Eleggua and Rapper
Louis VI. The music is a mix of Jazz, Yoruba chants with Hip Hop
and electronica influenced beats.
[
file under: experimental space jazz ]
|
|
BVDUB
"Drowning in daylight"
Van
Wey debuts on Apollo with his stunning new album Drowning in Daylight
, exploring cavernous soundscapes on a grand canvas that throb
with a delicate intimacy. Classically trained in piano and violin
as a child, Van Wey’s symphonic approach to ambience is
truly remarkable.
[
file under: ambience ]
|
|
CAT
POWER
"Wanderer"
Produced
in its entirety by Marshall, Wanderer includes appearances by
longtime friends and compatriots, as well as guest vocals courtesy
of friend and recent tour-mate Lana Del Rey. Written and recorded
in Miami and Los Angeles over the course of the last few years,
the new album Wanderer is a remarkable return from an iconic American
voice.
[
file under: indie pop ]
|
|
NENEH
CHERRY
"Broken politics"
Following
the release of her first earth-quaking single in 4 years at the
beginning of August, counter-culture pop icon Neneh Cherry announces
her fifth solo album Broken Politics, produced in its entirety
by Four Tet. It’s a record that’s equal parts angry,
thoughtful, melancholy, and emboldening, as Cherry and her collaborators
continue to expand her ever-widening sonic palette to craft truly
singular and potent music.
[
file under: rip-rig & neneh panic ]
|
|
MARIE
DAVIDSON
"Working class woman"
Marie
Davidson’s new album turns the mirror on herself. "Working
Class Woman” is the Montreal-based producer’s fourth
and most self-reflective record: it’s a document of her
state of mind, a reflection of the past year she’s spent
living in Berlin, and a comment on the stresses and strains of
operating within the spheres of dance music and club culture.
[
file under: ninjatune(s) ]
|
|
FACTORY
FLOOR
"A soundtrack for a film"
The
title of this new Factory Floor record is playfully coy. These
tracks were, indeed, initially conceived to score a film, specifically
a 90th anniversary showing of Fritz Lang’s 1927 movie Metropolis
at the London Science Museum’s IMAX screen. A Soundtrack
For A Film is a hugely ambitious work, clocking in at around 150
minutes and filled with ideas.
[
file under: not otiginal soundtrack ]
|
|
FATIMA
"And yet it's all love"
It's
been four years since Eglo Records' Fatima released 2014's Blue
Note-approved, critically acclaimed debut Yellow Memories. This
September, the London- via -Stockholm, Sweden songstress, returns
with her second album, And Yet It's All Love, an emotional yet
entertaining trip through the full cycle of a romantic relationship,
told in Fatima's now-familiar soulful style.
[
file under: modern soul ]
|
|
TIM
HECKER
"Konoyo"
The
Canadian’s 9th solo release Konoyo, like its predecessor,
Love Streams [2016] also finds Hecker drawn to acoustic instruments
and collaboration with a larger ensemble or collective, this time
working with the Tokyo Gakuso ensemble after commanding an Icelandic
choir on his previous album. However, the results here have a
different purpose, swapping out ecstatic density for an intently
refined and spacious approach, allowing his processed sources
to ring out beautifully un/true in a sort of parallel dimensional
harmonic spectrum.
[
file under: isolationism ]
|
|
LAWRENCE
"Illusion"
Lawrence
makes a full-length return to his own Dial label with Illusions.
Following two critically-acclaimed albums for Mule Musiq, the
follow-up to 2016's Yoyogi Park captures the Berlin-based artist,
DJ and label-owner at home in a suitably deep landscape of sound.
Throughout, his involving and human approach to electronic music
feels more inviting and more necessary than ever.
[
file under: electronica ]
|
|
GEORGIA
ANN MULDROW
"Overload"
“You’re
my Jay Electronica… you take it there,” declares Ali
Shaheed Muhammad of A Tribe Called Quest. He is one of a long
list of Heorgia Ann's admirers including Mos Def (“She’s
incredible. She’s like [Roberta] Flack, Nina Simone, Ella
Fitzgerald, she’s something else.”), Erykah Badu,
Dev Hynes aka Blood Orange (“She is one of my favourite
musicians in the world”), Bilal and Robert Glasper who invited
Georgia to perform on his “Miles Ahead” OST in 2016.
[
file under: modern soul ]
|
|
JERRY
PAPER
"Like a baby"
Like
A Baby is co-produced by Jerry (aka Lucas Nathan) and Matty Tavares
of BadBadNotGood. The album features work from musicians Weyes
Blood, Mild High Club’s Alex Brettin, and vocalist Charlotte
Day Wilson. Inspired by a move from NYC back to Nathan’s
hometown of L.A., Like A Baby explores existential themes tied
to “the endless human cycle of desire and satisfaction.”
[
file under: 11th dimension pop ]
|
|
NEW
RELEASES SETTEMBRE 2018: WHAT'S GOING ON MY
MUSIC PLAYER? |
|
ALPACA
SPORTS
"From Paris with love"
All
of Alpaca Sports’ trademarks are here: huge melodies, intricate
arrangements and abundant sweetness. Touches of disco-soul (I’ll
Do Anything You Want, Summer Days), crystalline pop (Nobody Cares
But Me), jangle and sunshine pop (Books I’ve Read, A New
Boyfriend), precious folk (Birds, Baby What Can I Say?), The Cure
meets The Smiths meets Abba (Feel Like Going Home, Saddest Girl
In The World), Burt Bacharach goes out partying with Camera Obscura
to that well-known tower (Eiffel Tower).
[
file under: camera pop ]
|
|
ANNA
CALVI
"Hunter"
Produced
by Nick Launay (Nick Cave, Grinderman) at Konk Studios in London
with some further production in LA, the album was recorded with
Anna's band - Mally Harpaz on various instruments and Alex Thomas
on drums - with the addition of Adrian Utley from Portishead on
keys and Martyn Casey from The Bad Seeds on bass. It has a new
rawness, a primal energy into which Calvi pushes the limits of
her guitar and voice beyond anything she’s recorded before.
[
file under: indie rock ]
|
|
BRANDON
COLEMAN
"Resistance"
Brainfeeder
is proud to present Resistance - a 2018 Funk odyssey by keyboard
maestro, vocalist, composer, producer, arranger and astral traveller
Brandon Coleman. A regular fixture in the Kamasi Washington band,
wylin’ out on the keys or wielding his keytar, he is introduced
onstage at gigs as Professor Boogie by his longtime friend and
collaborator. Resistance represents a new chapter in the Funk
dynasty that spans George Clinton/Parliament Funkadelic and Zapp
through to Dr. Dre, DJ Quik and Dam Funk as the Los Angeles resident
salutes his musical heroes - Herbie Hancock, Peter Frampton, Roger
Troutman - and honours their ethos of freedom and experimentation
in his search for Funk’s future.
[
file under: funk odyssey ]
|
|
SARAH
DAVACHI
"Gave in rest"
“I’ve
always been a pretty solitary person, but that summer I discovered
quiet moments to be increasingly valuable,” says Davachi.
“I became engaged in private practices of rest and rumination,
almost to the point of ritual.” Though not religious, she
sought ecclesiastic environments, sitting for hours in muted spaces
and listened to how church instruments augmented them –
their pipe organs, their bells, their choral voices – and
resolved to “tap into that way of listening.”
[
file under: isolationism ]
|
|
THOMAS
FEHLMANN
"Los Lagos"
'Los
Lagos’ is Thomas Fehlmann's seventh solo full-length, his
4th for Kompakt following his Berlin inspired 2010 full length
'Gute Luft'. in the musician's own words it’s about "checking
the juice".
[
file under: electronica ]
|
|
PHIL
FRANCE
"Circle"
Originally
from West Yorkshire, but now a resident in Manchester, composer,
bassist and producer Phil France is probably best known as a key
collaborator alongside Jason Swinscoe in The Cinematic Orchestra,
where he co-wrote, arranged and produced on classic albums including
Everyday, Man With The Movie Camera, Ma Fleur and also the triple
award winning soundtrack for The Crimson Wing nature documentary.
[
file under: cinematic orchestra ]
|
|
IPEK
GORGUN
"Ecce homo"
Ecce
Homo explores the lighter and darker shades of the human psyche,
behaviour and existence, and humanity's ability to create beauty
and destruction. What lies in the essence of such complexity has
become a core idea for the album, while Gorgun seeks to figure
out if there is a true meaning to being human, and human being.
[
file under: touch music ]
|
|
HELIOS
"Veriditas"
Kenniff
has housed dozens of ambient releases under the name Helios since
2004, alongside post-classical output as Goldmund, shoegaze pop
with his wife Hollie as Mint Julep, and commissions for film and
television. It is a reliably transportive body of work that's
earned Kenniff a cult following, and a genuine modesty that’s
kept him on the fringes, right where he prefers, in the dark.
[
file under: ghostly international ]
|
|
EMMA
RUTH RUNDLE
"On dark horses"
Since
emerging in 2008 with the dark psych-folk project Nocturnes, Emma
Ruth Rundle has kept up a hectic schedule, carving out a huge
swath of sonic real estate both as a solo artist and with her
shoegaze outfit Marriages, she also joined stalwart post-metal
instrumentalists Red Sparowes in 2011. The follow-up to 2016's
cathartic Marked for Death, On Dark Horses continues to pick at
the darkness within, but with significantly more empathy than
its predecessor.
[
file under: indie/wave ]
|
|
ALISON
STATTON & SPIKE
"Bimini twist"
Alison
Statton & Spike aren't simply back with their first album
in more than two decades, but have redefined their long-running
musical partnership with a collection of songs matching the diversity
of Weekend's classic "La Varieté" with a charm
and innocence that reflects the fact that every note of this album
was performed by the two of them alone, with no help from outside
musicians, engineers or any other living soul. The advent of technology
has allowed for these songs to be recorded at home and in comfort,
revealing the most personal and charming collection of songs in
their careers.
[
file under: twilight pop ]
|
|
TASH
SULTANA
"Flow state"
Tash
Sultana is a dynamic young artist who has commanded world attention
since homemade videos of Tash jamming went viral. A true virtuoso,
Tash was soon selling out massive theaters globally and playing
at the world s biggest festivals - no mean feat for an artist
who just a year before was recording songs on a go pro in a bedroom.
Since Tash s grandfather gifted a guitar at the age of three,
the self-taught artist quickly developed a unique style that has
people lining up to see. The virtuosic playing of over 18 instruments,
vocals that shine with a magical quality and the natural gift
for melody that Tash possesses needs to be seen to be believed.
[
file under: psychalternative ]
|
|
WILD
NOTHING
"Indigo"
Jack
Tatum understands this balance, and through a decade making music
as Wild Nothing he has learned to embrace both sides of that dynamic
ut perhaps never as distinctly as on Indigo, the fourth Wild Nothing
album. On one hand, it is a return to the fresh, transcendent
sweep of his debut, 2010’s Gemini and on the other, a culmination
of heights reached, paths traveled, and lessons learned while
creating the follow-ups, Nocturne and Life of Pause.
[
file under: so eighties ]
|
|
NEW
RELEASES AGOSTO 2018: WHAT'S GOING ON MY MUSIC
PLAYER? |
|
GREAT
LAKE SWIMMERS
"The waves, the wake"
JUNO
nominated, Polaris Prize shortlisted Great Lake Swimmers frontman
Tony Dekker set out to specifically make an album without any
acoustic guitar. Recorded in the 145 year old Bishop Cronyn Memorial
Church in London, Ontario and produced by Chris Stringer (The
Wooden Sky, Elliot Brood, Timber Timbre), The Waves, The Wake
releases on August 17, 2018 via Nettwerk.
[
file under: camera pop ]
|
|
STEVE
HAUSCHILDT
"Dissolvi"
In
search of the sublime, contemporary electronic musician Steve
Hauschildt has designed grids and panoramas of sound across multiple
releases through the rise and dissolution of his former band,
Emeralds, an American touchstone of 2000s home-recorded psychedelic
noise music. Dissolvi, the artist’s first full-length with
Ghostly International, engages sublimation from an ontological
perspective: by dissociating the self.
[
file under: electronica ]
|
|
INNOCENCE
MISSION
"Sun on the square"
Karen
Peris' gift for melodic subtlety manifests itself on a number
of highlights like Green Bus and the more expansive Shadow of
the Pines, two songs that dance nimbly between the dark and light
places where emotions are most vulnerable. Poignant and poetic,
she builds evocative vignettes out of seemingly simple scenes,
describing with surprising richness the movements of her brother
in the dusty afternoon light of the title song. The arrangements
on these ten tracks are somewhat denser and more intricate than
on the band's previous few outings, relying on rich string arrangements,
horns, reverberating piano thrums and even a handful of clamorous
drums - All Music Guide
[
file under: acoustic pop ]
|
|
JAZZANOVA
"Pool"
They
might not have put out an album in the last decade, but by no
means have Jazzanova been out of the picture. Instead members
Alex Barck, Claas Brieler, Axel Reinemer, Jürgen von Knoblauch
and Stefan Leisering have been focussing on a diverse range of
projects, as well as becoming parents. From running their JRS
studio to A&Ring a wealth of new talent for their Jazzanova
label via for producing others and, of course, continuing to play
their unique live shows around the world, they are as immersed
in music as ever.
[
file under: downtempo ]
|
|
MF
ROBOTS
"Music for robots"
MF
Robots is the brainchild of former Brand New Heavies’ drummer
Jan Kincaid who has joined forces with fellow former BNH singer
Dawn Joseph. The spread of styles on ‘Music For Robots’
is broad across this 14 track debut offering, from the urgent
dance grooves of Whatcha Sayin and The Night is Calling to the
low slung funky Give It Up and the sultry swagger of The Greatest
me And You. Love To Last is a highlight with its strong, funk
edged crossover tempo with some wonderful sharp, soaring horns.
[
file under: acid jazz funk ]
|
|
NECKS
"Body"
Australia’s
greatest cult band, The Necks, has a new piece to offer the world
this summer, entitled Body. Different again to all previous Necks
albums (20 in total), the band has chosen 10 words and phrases
that summarize the four richly contrasting episodes of this hour-long,
mesmerizing groove. They are as follows: Episodic, Driving, Dynamic,
Layered, Celebratory, Soaring, Rocking out, Buoyant, Sustained,
Perfectly paced.
[
file under: transgressions ]
|
|
TIRZAH
"Devotion"
Devotion
is the long-awaited debut album from Tirzah, produced entirely
by Mica Levi and mixed by Mica and Kwes. This is essential summer
listening from one of the most exciting and innovative pop/RNB
artists in the world right now. Devotion offers us an intimate
collection of downtempo love-songs laced with romance and lust,
melancholy and desire as experienced from a vocalist who really
blurs the edges of grime, pop and RNB with a sweet yet street
level edge.
[
file under: neo soul ]
|
|
BJORN
TORSKE
"Byen"
New
music from Bjørn Torske is always cause for celebration
but even by the high standards that the Norwegian producer has
set for himself over the last two decades, Byen feels special.
Torske's fifth solo album is a revelation for electronic music
fans and anyone with a keen ear for melodic, trance-inducing dance
music.
[
file under: scando-nova ]
|
|
TUNNG
"Songs you make at night"
Since
forming in 2003 and over the course of five albums, Tunng are
a group that have explored the boundaries between acoustic and
electronic music, becoming synonymous with the folktronica genre
before moving into territory that managed to both evade that label
and continue to redefine it.
[
file under: folktronika ]
|
|
KAMASI
WASHINGTON
"Heaven & earth"
“The
world that my mind lives in, lives in my mind.” This idea
inspired me to make this album Heaven & Earth. The reality
we experience is a mere creation of our consciousness, but our
consciousness creates this reality based on those very same experiences.
We are simultaneously the creators of our personal universe and
creations of our personal universe. The Earth side of this album
represents the world as I see it outwardly, the world that I am
a part of. The Heaven side of this album represents the world
as I see it inwardly, the world that is a part of me. Who I am
and the choices I make lie somewhere in between.” Kamasi
Washington
[
file under: contemporary jazz ]
|
|
NEW
RELEASES GIUGNO 2018: WHAT'S GOING ON MY MUSIC
PLAYER? |
|
JOE
ARMON-JONES
"Starting today"
This
debut album, by prodigious keys player, composer and producer
Joe Armon-Jones, is buoyant, celebratory and welcoming. With
a background in jazz, he draws from influences in dub, hip-hop
and soul. Different traditions are infused and commingled together.
Soulful brass arrangements are coloured with carefully-tuned atmospherics;
individual flashes of brilliance are bound into the album’s
bigger picture.
[
file under: acid jazz funk ]
|
|
BLACK
DOG
"Black daisy wheel"
The
Black Dog have provided the soundtrack. Our fast-approaching dystopia
has been envisioned and documented by the band for decades. Now,
The Black Dog’s two new albums, Post -Truth and Black Daisy
Wheel, translate their growing horror into some of their most
accessible and impactful music.
[
file under: -new- electronica ]
|
|
DANIEL
BLUMBERG
"Minus"
The
album was recorded live with legendary producer Peter Walsh (Scott
Walker’s collaborator since Climate Of Hunter) in just five
days during a remote residential stay in Wales, amidst a debilitating
breakup with his partner of seven years along with Blumberg’s
ongoing struggle with mental illness which resulted in his hospitalization
just a week before recording.
[
file under: disque du crepuscule ]
|
|
NADINE
BYRNE
"Dreaming remembering"
The
LP and accompanying visuals of Dreaming Remembering exist in the
borderland between memory and dream, drawing their inspiration
from that threshold of consciousness where one cannot tell one
from the other.
[
file under: ambient & modern classical ]
|
|
SARAH
DAVACHI
"Let night come on bells end the day"
Sarah
Davachi's latest journey in which she searches for and comes very
close to finding the perfect drone takes form as Let Night Come
On Bells End The Day. As with all her work its a heartbreakingly
blissful section of harmonics and glacial melodies. Fully immersive
music that also acts as a time machine for when you need an hour
to zone out of the world around you.
[
file under: modern classical ]
|
|
FACS
"Negative houses"
ormed
from the ashes of Disappears, Chicago group FACS come through
with their debut LP for Trouble In Mind Records. The trio create
an almighty racket on Negative Houses. Sky-scraping reverbs recall
golden-era My Bloody Valentine, but the lumbering post-punk grooves
and screes of guitar invoke This Heat and PiL.
[
file under: modern art rock ]
|
|
GANG
GANG DANCE
"Kazuashita"
Kazuashita
– the first record by Gang Gang Dance since the acclaimed
Eye Contact in 2011 – is an intoxicating mix of shoegaze
and electronic ambience, all held together by Lizzi Bougatsos
and her otherworldly vocal. Bougatsos, alongside founding members
Brian DeGraw and Josh Diamond, formed the group as an improvisational
outfit in the early 2000s, and have consistently worked to blur
the boundaries between music and art.
[
file under: indiethno ]
|
|
JON
HASSELL
"Listening to pictures (Pentimento volume one)"
First
new album in nine years by a musical visionary and hugely influential
figure in new music. Forty years since its creation, Jon Hassell's
Fourth World aesthetic remains a powerful influence on modern
electronic music. The release of this new album also sees the
launch of Jon’s own label, Ndeya (pronounced “in-day-ya”),
which will be a home for new work as well as well as selected
archival releases, including re-presses of classic sides and some
astonishing unreleased music.
[
file under: fourth world music ]
|
|
ORB
"No sounds are out of bounds"
The
new album from ambient electronic duo The Orb. "I
wanted to try something with more musicians and more voices. More
contributors essentially - similar to the conditions our first
album Adventures Beyond The Ultraworld," said founder Alex
Paterson.The release coincides with the 30th anniversary of The
Orb (First Orb demos were recorded June 1988). New album features
Holly Cook, Roger Eno, Youth, Jah Wobble, Guy Pratt (Pink Floyd)
and Steve Hillage.
[
file under: dub electronica ]
|
|
SAXOPHONES
"Songs of the saxophones"
"This
is our debut record on Full Time Hobby. It was all written and
recorded over the past two years. It's largely a meditation and
reflection on relationship and the unlearning of socialized behaviors.
We hope this record brings meaning and comfort to your life in
these uncertain times. Thank you for listening."
[
file under: easy jazzy listening ]
|
|
SINK
YA TEETH
"S/t"
NYC,
London, Berlin, Norwich? The East Anglian city might not be the
first place that comes to mind when you think of danceable post-punk,
but Sink Ya Teeth emerge from Norfolk with an LP to give the likes
of ESG and !!! a run for their money. They’ve toured with
the latter, as well as Moon Duo, and are about to set off for
a jaunt with A Certain Ratio. The likes of Pushin’ and Glass
are fun, lithe electro-pop jams.
[
file under: post-punk ]
|
|
JIMI
TENOR
"Order of nothingness"
Jimi
Tenor's mind will travel where his body can't go. Living in isolation
in east-Helsinki suburb he picks mushrooms and has exotic musical
fantasiesin the calmness of the endless. He has made a quantum
connection in Berlin with rhythm geniouses Ekow Alabi Savage and
Max Weissenfeldt to create his latest tour de force Order of Nothingness.
[
file under: cosmic jazz ]
|
|
|
RICERCA NEL SITO
|
|
| |
MUSIC TARGET
( OBIETTIVO MUSICA ) |
|
| Listening
Wind |
| Sounds
& Visions |
| |
| Sabato
pomeriggio |
|
| |
| |
| |
ARCHIVIO
(SENTIRE ASCOLTARE) |
| |
| |
| PILLOLE
2018 |
| Settembre/Ottobre |
| Giugno/Agosto |
| Aprile/Maggio |
| Febbraio/Marzo |
| |
| |
|
| PILLOLE
2017 |
| Novembre |
| Settembre/Ottobre |
| Giugno/Agosto |
| Aprile/Maggio |
| Febbraio/Marzo |
| |
| |
|
| PILLOLE
2016 |
| Novembre/Dicembre
|
| Settembre/Ottobre
|
| Giugno/Agosto |
| Aprile/Maggio
|
| Febbraio/Marzo
|
| |
| |
|
| PILLOLE
2015 |
| Ottobre/Novembre
|
| Giugno/Settembre
|
| Aprile/Maggio
|
| Febbraio/Marzo
|
| |
| |
|
| PILLOLE 2014 |
| Novembre/Dicembre
|
| Settembre/Ottobre
|
| Giugno/Agosto
|
| Aprile/Maggio
|
| Febbraio/Marzo
|
| |
| |
|
| PILLOLE 2013 |
| Novembre
|
| Settembre/Ottobre
|
| Giugno/Agosto*
|
| Aprile/Maggio*
|
| Gennaio/Febbraio*
|
| |
| |
|
| PILLOLE 2012 |
| Novembre*/Dicembre
|
| Settembre/Ottobre*
|
| Giugno*/Luglio*
|
| Aprile/Maggio
|
| Febbraio/Marzo |
| |
| |
|
| PILLOLE 2011 |
| Ottobre*/Novembre* |
| Agosto*/Settembre* |
| Maggio/Giugno |
| Marzo*/Aprile |
| Gennaio*/Febbraio
|
| |
| |
MY
PLAYLIST: 2010 |
PILLOLE
2010 |
| Novembre* |
| Settembre/Ottobre |
| Giugno*/Agosto
|
| Aprile/Maggio
|
| Febbraio/Marzo*
|
| |
| |
|
PILLOLE
2009 |
| Novembre/Dicembre |
| Settembre/Ottobre |
| Giugno/Luglio |
| Aprile/Maggio* |
|
| |
| |
MY
PLAYLIST: 2008 |
PILLOLE
2008 |
| Novembre/Dicembre |
|
|
|
|
|
| |
| |
|
PILLOLE
2007 |
|
| Agosto/Settembre |
|
|
|
| |
| |
|
PILLOLE
2006 |
|
|
|
|
|
| |
| |
|
PILLOLE
2005 |
|
|
|
|
| |
| |
|
|
| |
| |
|
| PILLOLE
2003 |
| |
| |
| PILLOLE
2002 |
| |
| PILLOLE
2001 |
| |
|
| |
| |
| |
OLDIES BUT GOODIES |
| |
|
|
|
|
| |
| |
MEMORABILIA |
| |
|
| Boxed
Set |
| Canterbury
Classics |
| Celebration |
| Disco
Discharge: |
| Groove
Collection |
| History
never repeats |
|
|
|
| |
| |
| |
DISSONANZE |
| |
|
| Narrativa |
|
| |
| |
| |
MATERIA D'ESAME |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
| |
| |
RETROSPETTIVA |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
| New
order: from Manchester |
|
|
|
|
|
|
| The
Passage: from Manchester too |
|
|
|
|
|
XTC:
Moulding & Partridge |
| |
| |
| |
|
[ OLDIES BUT GOODIES ] |
| |
ELECTRONIC
"S/t"
Bernard Sumner
and Johnny Marr's debut album as Electronic gets the deluxe
treatment with this expanded 2CD special edition. The release
features the original album (remastered) plus a 2nd disc of
rarities including 8 previously unreleased tracks of alternate
versions, edits & instrumentals.
[
file under: madchester ]
|
CRISPY
AMBULANCE
"The plateau phase"
Factory Benelux
presents a new CD edition of The Plateau Phase, the debut album
by Manchester postpunk group Crispy Ambulance, originally issued
in March 1982. Recorded at Strawberry 2 with producer Chris
Nagle, this acclaimed album captured Crispy Ambulance at the
peak of their creative powers. Bonus tracks include extended
12"single The Presence Concorde Square, produced by the
legendary Martin Hannett, and farewell single Sexus.
[
file under: factory sounds ]
|
THE
NAMES
"Swimming"
Factory Benelux
presents a new CD edition of Swimming, the debut album by Belgian
new wave group The Names, originally issued in June 1982. Swimming
has come to be regarded as a European cold wave classic. Bonus
tracks include the popular singles Calcutta and Nightshift (also
produced by Hannett) and the band's John Peel session from February
1982. This new Factory Benelux CD edition also features original
artwork and poster design by Benoit Hennebert.
[
file under: factory sounds ]
|
RIP
RIG + PANIC
"God"
Named after a
Roland Kirk album, Rip Rig + Panic were one of the most exciting
bandsof the 1980s, fusing funk, jazz, punk and world music influences
into a unique whole. With lead singer Neneh Cherry, the band
recorded three albums for Virgin Records which have never been
legitimately available on Cd. All three LPs are now remastered
from the original master tapes with a raft of bonus tracks taken
from non-album singles. Original band members Gareth Sager (ex-Pop
Group) and Mark Springer are involved with these releases, with
the blessing of Neneh Cherry and (current PiL) drummer Bruce
Smith.
[
file under: white jazz funk ]
|
ANNETTE
PEACOCK
"I'm the one"
In 2010 Annette
Peacock quietly reissued her 1972 album I'm The One on CD via
her own Ironic label. It was only available via her site or
CDBaby, but now I'm The One is being given a full reissue shakedown
by Light In The Attic. Peacock
collaborated with Salvador Dali, bought a Moog direct from Robert
Moog, was confidant to Timothy Leary, and turned down an offer
to tour with David Bowie, telling him to buy his own synthesizer.
[
file under: essential avant-funk ]
|
THE
POP GROUP
"For how much longer do we tolerate
mass murder?"
Reissue of The
Pop Group’s ‘For How Much Longer Do We Tolerate
Mass Murder’ - one of the most challenging records of
the post-punk era. Upon its release in 1980, For How Much Longer
received mixed reviews, with publications at the center of post-punk
discourse (such as the NME) dismissing its agit-prop didacticism
in favor of the fevered mysticism of the group's debut album,
Y.
[
file under: post-punk ]
|
LIZZY
MERCIER DESCLOUX
"One for the soul"
Remastered from
original tapes. Housed in heavyweight, tip on-style gatefold
with essay by Vivian Goldman and download code including 2 bonus
tracks “By the time poet, singer-songwriter, and artist
Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d
marked herself out as both a globe trotter with more passport
stamps than Tintin and a musical innovator whose loose, arty
spirit could be applied to styles as varied as no wave, Bavarian
oompa and Soweto jive.
[
file under: no wave ]
|
VIVIEN
GOLDMAN
"Resolutionary (Songs 1979-1982)"
Vivien Goldman
went from being a musical participant of the early-'80s London-New
York fusion of dub, post-punk, reggae, hip-hop and African sounds
to a keen, informative critic and professor of those genres
in general. This excellent album is the first collection of
Goldman's brief yet vibrant musical explorations. Included among
the various talents are members of the Slits, PiL, the Raincoats,
Robert Wyatt, Steve Beresford, David Toop, and Adrian Sherwood.
These tracks combine a pop sensibility with the avant-dub deconstructionist
mindset that lends her work that rare and special mix of accessibility
and experimentation.
[
file under: dub post-punk ]
|
SECTION
25
"Always now"
Factory Benelux
presents a deluxe double disc edition of Always Now, the debut
album by cult Factory Records group Section 25, produced by
legendary sonic architect Martin Hannett in 1981. Recorded as
a trio at Pink Floyd's Britannia Row studio in London, Always
Now combined austere post-punk rhythms with elements of Can,
Krautrock and modern psychedelia. Key tracks include non-albums
singles Charnel Ground, Je Veux Ton Amour and Girls Don’t
Count. This new Factory Benelux 2xCD edition is housed in a
miniature version of the folding pochette wallet designed by
Peter Saville - famously one of the most expensive sleeves produced
by Factory.
[
file under: factory sounds ]
|
|
Feed rss